She was more like her mother, gentle but firm, idealistic but certain. Cassandra knew she was not fit to rule the backstabbing cruel world that the ancestors of Hamilton’s were used to. She had no friendly cousins to rely upon, and distant relatives had a thirst for her wealth. But she was the only child, after her mother died ten years ago. For years, she resisted the ascent to take her place after his father served as Regent, feeling restricted and bound by the traditions of the Russian mafia. This must be what freedom smelt like, she thought. Cassandra stepped off the train onto the platform and took a deep breath. ![]() Groggily, she gathered her bags and shook her hair out of her eyes. It was the train conductor she had reached the final stop. She woke up to someone shaking her shoulder roughly. To where, she did not know, but she knew she had to leave her homeland, search for a life somewhere else and start anew. The hour his doctor called her, she was already on the train with the things she needed and the money left lying around the house. The night her father entered the hospital, she packed her bags. ![]() As his daughter, she is at the highest risk of being eliminated from the equation completely, to prevent future complications. His followers slowly turned to competitors for support, and whatever was left will die along with him. His power had waned over the years, after his wife, Ana Hamilton, died in a car crash. Her father was a feared man, but only when alive. She knew that the instant her father died, the rest of the triad would go back on their sacred vows and betray the one and only heir to the Hamilton empires. Cassandra and Hank Hamilton, the happy couple who began the Hamilton legacy.Ĭassandra Hamilton was not a fool.
0 Comments
Wyrmwood takes a novel approach to this theme. Generally, these filmic worlds are riven with conflict over the control of these resources (Hamilton 2103 Bishop 2015). The post-apocalyptic zombie film often engages with the problem of energy, and the reconfiguration of the social world around scarce resources-fuel, food, water and other supplies. On the other line of action, Brooke (Barry’s sister) discovers she can control the zombies with her mind. They discover that zombies can be used as an energy source for fueling cars (one of the effects of the meteor shower is that conventional fossil fuel, such as petrol, is no longer combustible). One line of action consists of the conflict between the zombies and Barry, Benny, and Frank, who pool their mechanical skills to battle against the zombies for survival. And then via two intercut lines of action, we find the main characters (Brooke, Barry, Benny, and Frank) caught up in a struggle against the undead zombies in the post-apocalyptic Australian bush. The film opens with the familiar genre trope of a meteor shower that brings with it a virus that changes people into zombies, depending on their blood type (though once bitten everyone becomes a zombie regardless of blood type). What makes this a notable zombie film, is that a new form of zombie use-value emerges. Crowdsourced with a budget of $160,000 (Harvey 2015), it took the Roche-Turner brothers four years, working only on weekends, for the film to be completed (Internet movie database). This paper offers a reading of the Roche-Turner brothers film, Wyrmwood: Road of the dead (2014), in terms of Jean Baudrillard’s work on the fate of energy. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |